Andrey Pozdeev: from visible to supervisible

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The given article is devoted to the analysis of the works of a well-known Krasnoyarsk painter Andrey Pozdeev. There is a comparative analysis of the works created by A. G. Pozdeev in the reserve «Krasnoyarsk Stolbi» in 60-70-ies and later in 80-90-ies in the article. The connection between the landscapes painted directly from the nature and later works, constructed on visual images is proved. The author makes a conclusion that the tendency to increase a visual component in the works of art is a typical culturological phenomenon of the second half of the XXth century.

Krasnoyarsk stolbi, painting, portrait, composition, creative research, sociocultural community, visual image, colour

Короткий адрес: https://sciup.org/144153298

IDR: 144153298

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