Architecture and music in film: strategies and tools included in the media text

The article is devoted to the study of the artistic and semantic possibilities of music and architecture in the cinema as a unique art, representing a synthetic whole. Particular attention is paid to the consideration of the general foundations of these two arts, one of which is temporary, the second is spatial, and various versions of their correlation and interaction in the context of a single dramaturgic whole. Analyzed examples of such interaction in gaming and documentary films, as well as in computer games. The author comes to the conclusion that the artistic expressive possibilities of both music and architecture in the cinema differ from their capabilities outside of it, which is primarily due to the unique the synthetic nature of cinema art.