“frenzy for two, or more” by Eugene Ionesco: the absurd in the play and on the stage

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In the article, E. Ionesco’s works serve as an example for considering the impact of surrealistic theatricality upon the dramatic art of the absurd. The role of the verbal and non-verbal in “Frenzy for Two, or More” and its productions is shown.

Absurd, surrealism, frenzy, theatricality, e. ionesco

Короткий адрес: https://sciup.org/146121821

IDR: 146121821

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