Dialectics of an artistic image's temptation in Medieval culture

The article is devoted to the analysis of a specific form of an artistic image's existence that realizes the relations between the infinite and the finite due to the main attribute of artistic attitude, namely the inner energy image of erotic nature, which exists in the two forms: emanational one, immanational one as well as the unique quality of their harmonization. The dialectics of forms of Eros the Transforming is ontologically presented in the history of art in the form of harmonious balance between western and eastern medieval cultures, namely in the arts of the Byzantine Empire as well as Romanesque and Gothic arts of Western Europe.