Dialogue of arts: music and cinematograph

The article deals with the dialogue of arts in the space of music and cinematograph. The research is carried by study the case of the music of G. Rossini (overture of the opera “William Tell") and L. Beethoven (“Symphony № 9") and “A Clockwork Orange" movie by S. Kubrick based on the novella by A. Burgess. The authors conclude that the dialogue of music and cinematograph provides deep understanding and insight of a spectator (listener) in each of the arts, setting a new vector in the comprehension of the synthesized unit of art.