Philosophical grounds for research of theatrical action

The article deals with the theatrical action which is considered to be a component of culture universe, as means of human being conservation. Theatrical action is represented as a specific subject for philosophical reflection. Taking into account the diversity of ways to perform theatrical action and its dialogic character this phenomenon is considered in philosophical context namely through the prism of hermenephtical and post-modernist philosophical paradigms. All these facts let us display the theatrical action as a semantic and semeiotic formation, as a text, to point out basic hermenephtical circles of its interpretation. It is noted that an intertextual nature of the theatrical action is the principal condition for realization of its dialogic origin.