Philosophical and religious understanding of some graphic works (Altay ornament) G. I. Choros-Gurkin

In the article some graphic works (Altai ornament) of the first professional Altai artist G. I. Choros-Gurkin in the light of the Turkic-Mongolian Tengri-Kama world outlook, and also in comparison with the philosophical and religious representations of Western European philosophers, theologians and mystics. As a result of the analysis, it is concluded that in the ethnographic drawings of G. I. Choros-Gurkin depicting symbolically Khan-Altai, like the Triangle // Mount with the Eye inside, and made during his emigration in Mongolia, Tannu-Tuva (Including in Todzha) in 1919-1925 reflects the deep «natural» representations of the Turkic-Mongolian Tengri-Kama world view that originated in the taiga depths of Inner Asia and influenced the formation of Western European mythology, theology and the symbolic expression of the idea of the deity in the form of «The All-Seeing Eye».