The sociocultural phenomenon of the formation of slogan content based on historical experience in the dramaturgy of theatrical forms of festive action

The sociocultural phenomenon of the slogan is considered by the author of this article as a factor of increasing activity and inclusion in the theatrical action of a particular community of people. The author demonstrates the possibilities of using the slogan as an important compositional component of the dramatic construction of theatrical action. At the same time, the theatrical action, being the antipode of the manipulation of consciousness, functions as based on the festive situation the desire of a person to realize the need for action in some form of participation. In particular, on the basis of the context of acceptance and comprehension of historical events in his memory, the resonator of which is the information-logical and emotional-figurative impact of the script design and the director's incarnation. The theoretical analysis of the proposed problem in the article and the conclusions made by the author are based on a wide practical experience of working on theatrical forms of festive action related to the most important historical dates for our country. At the same time, special attention is paid to the script-director's construction of theatrical forms of festive action related to patriotic upbringing, preservation of historical memory among young people.