Style-forming and meaning-forming role of dialogue in M. Yu. Lermontov's late lyrics

The study is the analysis dialogue in Lermontov's poem «Borodino», end few poems of the last years Lermontov' life written in «The Notebook of V.F. Odoevsky». To denote calls without an answer, we introduce the concept of protodialogy. Dialogues, including internal dialogues, as well as about the dialogues form a dynamic speech element, give a sense of objectivity, reliability, vitality, characterizing the realistic method of depicting reality, including in its psychological aspect. Dialogic and Dialogic syntax, as well as keeping the narration to dialogue are iconic for the style of Lermontov's forms of speech and reflect the peculiarities of his artistic thinking. The article emphasizes the appellative possibilities of Lermontov's poetic language, his word is often likened to an act, an activity. The author suggests that dialogical constructions expand the possibilities of lyricism, which Lermontov uses not only to express the lyrical “I”, but also to convey the polyphonism of reality.