Interpretation of piano duet repertoire in ensemble practice: from Beethoven to Brahms

The article explores the interpretation of piano duet repertoire within ensemble practice. It examines the historical and stylistic context of works by L. Beethoven, F. Schubert, and J. Brahms. Particular attention is given to the performance aspects of coordination, balance, and phrasing in an ensemble setting. The analysis includes specific works such as L. Beethoven’s Sonata for Piano Four Hands and J. Brahms’s Waltzes. The paper also discusses modern approaches to interpreting duet repertoire in educational and concert practice.