A study of singing artistry in Rakhmaninov’s romance "It’s good here"

The article is devoted to the study of the performing aspects and vocal features of Sergei Rachmaninov's romance "It's Good Here". The work analyzes the musical and textual characteristics of the work, reveals the subtleties of interpretation of the vocal part. In this study, attention is drawn to the stylistic techniques used by Rachmaninoff to create an emotional and expressive image, as well as to the role of accompaniment in creating the overall atmosphere of the work. The article will be useful for vocalists, music researchers and anyone interested in Rachmaninov's work.