Cinematography in Tom McCarthy's novel “Remainder”
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The article is devoted to the usage of cinematographic devices, in particular, different montage techniques, in the organization of literary time in Tom McCarthy’s novel “Remainder”. The research stresses the importance of cinematographic images in the novel’s plot and the development of the main idea.
Contemporary english novel, poetics, cinematography, montage technique, defamiliarization
Короткий адрес: https://sciup.org/14975287
IDR: 14975287
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