The concept N. Gumilev’s of word in the context of symbolist and acmeists ontology and philosophy of art

The article is devoted to the analysis of the word’s representations in acmeism in comparison with similar ideas in the symbolist aesthetics. In particular, it is proved that the concept of the Word-Logos, explained by Gumilev in his poem «The Word» provides unity of creative paradigms and discursive practices of poets belonging to acmeism.