Understanding identity in the works Tatar Leonardo da Vinci

The object of study becomes a creative heritage of the Tatar scientist Kayum Nasyri associated with the problems of awareness and the formation of national identity. The latter serves as not only a social but also personal value-dominants, helping to define the Self, having built a matrix display in the socio-cultural space. This is most clearly manifested awareness of their identity in the image of the country and respect for her personality. The image of the motherland is binary: it has an individual and ideological modes of dialectically interconnected. The unit performs the image of the motherland city, emotional and intellectual research which becomes an indicator of “moral Settlement”. Through the study settles spaces Kayum Nasyri singled them some meaningful label, not only related to personal experiences, but also historical reminiscences. These labels are not only associated with national identity, but also highlight the unique color space. The basic methods of research studies presented biographical, phenomenological, hermeneutic. In the process, information was obtained not only biographical and philosophical and cultural interpretation could, but the details of the folklore and ethnographic nature, through which it is possible to recreate the image of the city of Kazan of previous eras. Moreover, ethnographic work Kayum Nasyri left for future generations household sketches that convey the Tatar national character, thus contributing attached to tradition and its preservation. The results of the study can be used in research and teaching activities.