The real and the fantastic in the onirical prose of S. Corinna Bille and Adelheid Duvanel

The article deals with the analysis of the “original” real and fantastic in the onirical prose of S. Corinna Bille “One Hundred Creepy Stories” and Adelheid Duvanel “Under my mother’s hat”. The fantastic elements are associated with pandeterminism that is typical for both the writers, the transformation of space and time, the misrepresentation of the basic feelings, vision and hearing, metamorphoses and the presence of the supernatural. There is paid special attention to defining the role of the creepy, the special intonation of the narration and deliberately repeating motives.