Semiotics of space in the perspective of the topos of temporal manifestation

The article examines the structuring of the semiotic space in terms of the time- and space-conditioned world of phenomena, as it is revealed in different ways in aesthetic experience. The subject of cyclical and linear time is defined in terms of a moment that is an instant seizure of time and space. It is deduced, that according to the one’s experience, every person as a subject is able to slow down or to speed up the time, but with that to fix an objective time, outside to the world of experiences. If there is a feeling that the time has stopped, it is only for a moment. Therefore, it is the moment that is a major aesthetic definition of the linear time, and it is endowed with different aesthetic «markers». The time flash can be perceived as: the feeling of the highest happiness and excitement, the feeling of calm, stop, the scales weighting the human deeds, and the highest sense of horror.