Subjective structure of poetry of young South Ural authors

This article examines the features of subject organization in the poetry of young South Ural authors (R. Agliullina, E. Kolyachenko, A. Manichenko, R. Yapishina). This generation of poets entered literature during a period of active development of new information and communication technologies. The digital turn has led to a rapid increase in texts published on the Internet, as well as to the ability of young authors to rely on a wider range of literary texts than previous generations, which manifested itself in the polystylistic and polyparadigmatic nature of poetic language. The category of subjectivity in the poetry of young authors manifests itself variably. This can be desubjectivization, that is, various forms of indirect utterance, masking and polyphony of the lyrical “I”. Often the subject in the poetry of young authors is transgressive, a translator of the painful experience of interacting with the world, the experience of overcoming trauma. Important for understanding the subjective structure of the work of young poets is the term “transsubjectivity”, associated with the phenomenon of the “new epic” in modern Russian literature. For young South Ural authors, it becomes important to broadcast stories of “other” voices, stories not about themselves, but about other people, reflection of other people’s feelings, other people’s experience. Transsubjectivity is often a way of self-identification in modern poetry, an attempt to consider individual experience through the prism of someone else, a look at oneself from the outside.