The transcedental and the transcedent in perception of the beautiful, upon the data of retrospective analysis of the concept of classical music

The paper considered both the «transcendent» and transcendental» origins in perceiving the beautiful and beauty in interpersonal relations. The authors explored these universals on the data of the retrospective analysis of a concept of «classical music that has implied the capacity of self-determining. The authors have substantiated the point that beauty is related to a recognition of a «horizon» of expected music phenomena and occurrences. Classical music is born at the interface of the material and ideal, but «energy» of the beauty in music emerges owing to an «arbitrary» variation «of the material being». The authors have come to conclusion that classical music is the basis of a «line of action» of a human being, a foundation for perceiving his or her relation to the world of eternal and absolute values.