Transmediality of Russian Constructivism: Geometric Abstraction in Contemporary Graphic Design

The article investigates the processes of the transmedial transfer of the artistic principles of Russian Constructivism into contemporary visual culture. By analyzing the unique language of geometric abstraction formed within the Russian avant-garde, the mechanisms of adaptation of its formal and conceptual characteristics to current visual communications are examined. Particular attention is paid to identifying stable formal patterns and their functional transformation in the digital environment: from static composition to interactive dynamics, from the material plane to screen-based media environments. Based on an interdisciplinary analysis, it is proven that the legacy of Russian Constructivism functions not as a historical style, but as a living methodology relevant for solving the problems of organizing information space in the digital age. The paper systematizes three key vectors of transformation – formal-compositional, typographic-font, and conceptual-ideological – revealing the depth and multifaceted nature of this transfer.