Types of transformation in cinematography

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The article discusses transformation as a structure forming model for cinematography. The transformation itself is one of the modes, along with image and reflection in which the process of development of forms of human activity is implemented; its deep sense concludes found in returning things to their pre-images. The author comes to the conclusion that visual arts, which include movies, create in their works a very special space of visible; it is an intermediate world between eidetic and material worlds. In the movies there is the transformation as metamorphosis and the transformation as return. The first type proposes revealing through cinema a new vision of things and the birth of a new feeling in person, the second is finding of the person himself.

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Eidos, movement, action, transformation, myth, cinematography, transformation as metamorphosis, transformation as return

Короткий адрес: https://sciup.org/148183288

IDR: 148183288

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