Variants of interpretation of russian movie-texts in the light of semiotic theory

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The paper explores the issue of popular Soviet movies in search of meaning. The researcher finds feasible applications for semiotic theory in Russian film culture. A classification of Russian films is offered based on their interpretation as texts.

Structural-semiotic approach, russian cinematography, "closed" and "open" movie-texts, "presentation of reality", "inferential walks", natural and artificial narratives

Короткий адрес: https://sciup.org/146120546

IDR: 146120546

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