The origination of innovation semantic realm in Russian culture of XX century (M.Osorgin and the language of cinema)

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It is stated that synthetic interaction of literature language and cinema language originates a new sense. The mental specificity of Russian literature imagery is demonstrated as its inclination to synthesizing spiritual and textural elements and transforming the sense into plastic and visual shape.

Language of literature, the language of cinema, synthesis, the mental specificity of imaginative consciousness

Короткий адрес: https://sciup.org/14728770

IDR: 14728770

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