"Atlantis Soviet art": tradition and postclassical

The fundamental work of Professor G.G. Dadamyan «Atlantis of Soviet art» was discussed at the conference of his memory in Moscow, in March - April 2018 in the domestic culture of 1917 - 1932., Dadamyan identifies several basic and complex types - cultural paradigms. In this article, we propose a hypothesis that the paradigms, according to Dadamian, are comparable to the natural-scientific approaches of post-nonclassical science (V.S. Stepin, L.P. Kiyashchenko, etc.). The book «Atlantis of Soviet art» represents the Russian avant-garde and other outstanding artistic phenomena in a multi-layered social time: as a new, post-non-classical art philosophy and as a tool of management strategies. Besides, the scientific work of Dadamyan for many years had a unique approbation in students, especially in GITIS and VSSI that allows us to estimate scientific work also as a tutorial of the new type. The article also puts forward an important practical proposal to promote the book «Atlantis of Soviet art» on the world scientific catwalks.