Auteur cinema in the context of current transformations semiotic space

The article discusses the author's cinema as a philosophical concept of social and cultural information of reality. Through its own texts of author's cinema generates a semiotic information space of meanings, ideas, knowledge, discourses and content. It is emphasized that the particular influence on the development of auteur cinema has had an existential philosophy, resulting in texts are different issues including the problem of miscommunication. Author focuses on the essence, specificity and the structure of the text of the works of auteur cinema as an information and communication system, which reflects the context of reality, the image of the world of the author, intertextuality, hypertext and information world.