White colour in the Russian way: visual and semantic projections of Japanese history

The title of the film "Bag without a bottom" by Rustam Khamdamov hides an amazing property of culture - to be an inexhaustible source. The experiment of the film adaptation of the best story "in the thicket of the forest" by the Japanese writer R. Akutagawa is characterized from the point of view of the Russian mentality. White colour is the core of visual and semantic signs and symbols that help to combine elements of Russian and Japanese culture.