Color correction in the modern cinematograph

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In this article the author examines the definition of the color in historical and cultural frameworks; describes and studies patterns of its manifestations in physics, physiology and psychology. The author traces the first attempts of the invention of a light-sensitive film and its subsequent introduction in film production.

Color correction, digital cinema, color film, coloring, art color correction, screen art, motion picture art

Короткий адрес: https://sciup.org/144160549

IDR: 144160549

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