Colour designation on the avante-garde: suprematism in the art systems of Kazimir Malevich and Gennady Aigui
Автор: Sokolova O.V.
Журнал: Вестник Тверского государственного университета. Серия: Филология @philology-tversu
Рубрика: Материалы и сообщения. Проблемы преподавания
Статья в выпуске: 3, 2012 года.
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In this article are examined intertextual and intermedial interactions between art systems of Kazimir Malevich and Gennady Aigui, reflecting correlation of classical avant-garde and neo-avant-garde. Malevich’s art system is interpreted as a key for reading hermeneutic Aigui’s texts (common color vocabulary, terms of color designation, link of the objectless theory of Malevich and of the «essential realism» of Aigui, etc.).
Intertextuality, intermediality, avant-garde, neo-avant-garde, kazimir malevich, suprematism, essential realism, lingvopoetics, color designation, gennady aigui, objectless
Короткий адрес: https://sciup.org/146121006
IDR: 146121006
