Remote sound recording as a phenomenon of cultural transformation in the digital age

This study explores remote sound recording as a cultural phenomenon that emerged in the context of the digital transformation of musical art. The author analyzes remote recording not only as a technological practice but also as a form of artistic collaboration reflecting the new conditions of global cultural exchange. The paper examines the changes in creative communication processes characteristic of the post-pandemic era and proposes a hypothesis regarding the emergence of a unique model of distributed music production. The methodological basis includes a comparative analysis of traditional and remote recording practices, along with a problem-oriented approach. As a result, the study offers a systematization of technical and organizational solutions, and evaluates the potential use of artificial intelligence in music production. The findings expand the understanding of how musical practices are transformed in the digital era and highlight the issue of preserving creativity under conditions of remote interaction.