Henrik Ibsen's play “Peer Gynt”: a modern interpretation in the performance by the Lenkom theatre

The article is built on the understanding of the phenomenon of “eternal images” relevance which have become the mythologemes in the world culture. The analysis was drawn on the Scandinavian information - the oeuvre of Norwegian playwright Henrik Ibsen. The author of the article uses a comparative approach, methods of motive analysis and ontologicalpoetics to reveal the particularities of presentation of Henrik Ibsen’s riddle play “Peer Gynt” on the stage of Moscow State Theatre “Lenkom”. The article has interdisciplinary nature. The analyzed interpretation has some points coinciding with the canonical text, as well as some directorial transformations.