Philosophy and cinema of postmodernism in the context of the works of J. Deles and J. Derrida

The article is devoted to the interaction of philosophy and cinema in the postmodern era. Based on the analysis of the works of J. Delouse and J. Derrida, the author considers postmodernism as an artistic direction and the type of philosophizing that determined the features of the cinema of the twentieth and twenty-first centuries. The material of the works of J. Delouse and J. Derrida shows the originality of the postmodern world picture, in which the real world fades into the background against the background of its interpretation in art and philosophy. Features of the philosophy of J. Deles and J. Derrida are analyzed mainly in the cinematographic context. It is concluded that the philosophy of postmodernism is becoming a new tool for cinema analysis, allowing you to see the cinema as a world view and world-representation.