Philosophy of the music chronotope of A.F. Losev in the context of problems of contemporary creative works

The study discussed the problems of the spatial and temporal structure of the composer’s works and understanding the laws of sound content in the concept of the domestic thinker A.F. Losev, who laid the foundations of the philosophy of musical art. His ideas are not only in tune with the most profound developments of his contemporaries but they become the basis for fruitful modern research and have a huge spiritual potential. The ideas of A.F. Losev are the essential element when analyzing the complex spatial and temporal processes in the contemporary musical art in the early 21st century. Such contemporary scientists as B. Asafiev, K. Zenkin, M. Kogan, E. Nazaykinsky, G. Pankevich, V. Kholopov, and Yu. Kholopov present their musical and theoretical concepts regarding the musical number as an artistic pattern that logically regulates all musical properties. Other ideas of A.F. Losev became the catalyst for the development of Russian culture. The original ideas in developing the philosophy of a name, a myth, a number provided the basis for a dialectical approach to the problems of space and time in music, esthetics, and philosophy.