Fragmentariness as a prinsiple of the artistic assimilation of reality and his linguistic explications in the lyrics of German expressionism

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The article analyses some characteristics of the lyrics of German expressionism, and in particular it reveals linguistic explications of fragmentariness, which is one of the key artistic markers of this literary discourse.

Expressionism, fragmentariness, metonymy, synecdoche, cutting principle, nominative style

Короткий адрес: https://sciup.org/146121265

IDR: 146121265

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