Homo digitalis and the problem of art of the XXI century through the prism of E.V. Ilyenkov's views

The article is devoted to the modern interpretation of E.V. Ilyenkov’s philosophical views on the problem of interaction between artificial intelligence and man. The author analyzes the works of E.V. Ilyenkov in the context of modern achievements of Digital Humanities in the aspect of understanding musical creativity and possibilities for its digitalization in conjunction with psychological aspects. Rethinking the scientific heritage of the scientist allows us to draw conclusions about his anticipation not only of the ethics of artificial intelligence, but also many areas of machine learning, including those in the field of musical creativity.