Fiction phenomenology of M. Proust

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The article is concerned with the interpretation of M. Proust's artistic method as phenomenology "sui generic". Special value here have Proust's declarations formulating the key principles of his poetics (mainly in «Time Regained»). The writer's specific theorization of epistemological and aesthetic basis of his method correlates with E.Husserl's academic phenomenology. However the author of the article avoids direct extrapolations of philosophic concepts on fiction method principles. Prust's method is being modeled in the researcher's mind and fixed by phenomenological means of description.

Structure anamnesis, fiction association principle, style, essence, idea, impression, phenomenon border

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IDR: 14728855

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