On the history of part singing

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The article is devoted to the formation of polyphonic style in the liturgical singing of the Russian Orthodox Church in the XVII century. It reveals the nature of influence of Polish and Italian musical culture, the role of individual composers in the establishment and approval of new musical thinking.

Church music, orthodox communities, sovereign chorister clerks, part singing, part concert, n.p. diletsky, v.p. titov, d.s. bortnyansky

Короткий адрес: https://sciup.org/14114229

IDR: 14114229

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