Form and function of intertextual inclusions in the Goncharov''s novel "Oblomov"

The article considers forms and functions of intertextual inclusions in I. A. Goncharov's novel "Oblomov". The author connects his text with many pretexts different in form and content. The functions of the novel intertextuality are diverse. This technique is used in particular for negation of aesthetics and ideological basis of romanticism and for adoption of realistic principles of creating artistic work.