On the formation of the conceptual apparatus of Russian folklore choreography

The article examines the terms of Russian folklore choreography, which appeared in the scientific literature in the 18th century and continue to arise now. The idea is put forward for discussion that the competent use of concepts is necessary not only for adequate scientific communication between choreographers and researchers, proposed also for educational and practical activities. At the end of the article, a new definition is introduced — late folk dances, reflecting the existence of modified urban author dances in rural environments.