The classification of " nominal " chords in the works of romantic composers

Copyright expression in melody is reflected in Monogram composers (Bach, Shostakovich, Schumann, Rachmaninoff, SV, etc.), in the field of modal music - in the name of odds (gamma Rimsky Korsakov, and harmony of Bartok, Shostakovich, frets, etc.), and in harmony appear "nominal" chords. In the work of certain composers of these chords get special meaning, although use these chords in the music much earlier. This article discusses the concept of "nominal chord", and an explanation of its occurrence in musicological literature. Due to the fact that this concept is closely associated with the era of romantic music, addresses the issues of aesthetics of Romanticism. Details the processes of emergence of new figurative and semantic aspects in the works of Romantic composers, changes in means of musical expression, the emergence of new genres of music. A classification of "name" chords on some specific items.