Filmic experience as a way of overcoming aesthetic irrealization: understanding of the transformations of filmic experience in modern theory

The article analyzes the specificity of cinema as an artistic practice. The analysis is made on the basis of the correlation between the principles of filmic experience and the aesthetic experience. Both their similarities and significant differences are demonstrated. The question of the status of cinema as an art and the possibility of its aesthetic consideration is raised. Appealing to a number of concepts of modern authors, first of all, such cinema theorists as Slovenian psychoanalyst S. Žižek and English cultural scientist S. Barber, as well as the theory of cinema by Antonin Artaud, the author makes assumptions about the specifics of the possibilities of cinema in overcoming the problem of the crisis of representation in art connected with irrealization of aesthetic object. Also, the transformation of cinema in the modern world and possible educational and transforming potential of the filmic experience associated with this transformation are considered.