Creativeness of action in communication practices of museum projectiong

Unlike standard interpretations, I argue that the objects exhibited at museum can be useful to the society only when we manage to relate and update them (this past) to the real life. In this article is considered the communicative possibilities of cultural practices of museum projecting in context of visual representation of artefacts of peacemaking. The author challenges the view at the exhibits of museum only as stiffened trace of time, memory index and memorial objects. It is proposed to consider museum artifacts as actual participants of current events from two angles of vision. Historical artifacts as museum exhibits and bygone experiences (samples of the past) acquire their meaning and significance only in contact with the present, joining the dialogue on the latest challenges humankind faces here and now. Accepting the well-known proposal that culture can serve as an important tool for bringing peoples closer together and social transformations, author makes some clarifications in this thematic perspective and expands it into the plane of aesthetization of culture in the context of the communicative model of creative activity. Effectiveness of any social institution, including institutions associated with art, depends on the degree of its involvement in the cultural process, including through the development of its value-aesthetic and communicative practices.