Metastylism as an aesthetic phenomenon of modern musical culture

The existence of various musical styles today can be presented as a single aesthetic metasystem. The study of the speci cs of the formation of this metasystem, its origins and essential characteristics is practically not investigated in philosophical discourse. The article is aimed at identifying the philosophical and aesthetic origins of musical metastylism as a modern type of musical polyphonic thinking, based on the interstyle mechanism of metalanguage functioning and intercultural dialogue, by integrating style elements into one piece of music. On the basis of interdisciplinary methodology, which combines philosophical aesthetic and artistic analysis, the article identi es the essential features of polytilstics as a composer’s technique, traces the main stages of evolution of the main theoretical approaches to this phenomenon. The object of the study is modern musical art in the light of philosophical and aesthetic analysis. The subject of the study is musical metastylism as a form of modern composing thinking. In the framework of philosophical understanding of contemporary musical art, the author shows that polytilstics is a dialogue of cultures (in the Bakhtin sense) and the stylistic multilayer of the work is the expression of polyphonization of composers' consciousness in order to overcome the mosaic and fragmentary world of modern man. The article focuses emphasis is placed on the integrity of polytilstics as an aesthetic phenomenon, in its logic of the development of the transforming into a stylish metasystem. The study shows that musical metastylism as an aesthetic phenomenon is the highest superlevel of comprehension and conceptualization of the musical text.