Critical analysis of the world-system theory of Wallerstein in the book "How the west came to rule: the geopolitical origin of capitalism"

Modem society is characterized by continuous changes that provide an infinite variety of possible options for the development of humanity. However, even in such a volatile world, among all the arts music will remain invariably relevant as it accompanies the person everywhere, starting from ringtones on mobile devices, continuing with listening to music in transport on the way to study or work, and ending with a variety of different music festivals around the world. With the linguistic turn in the consideration of music as an object of philosophical comprehension, there is a logical question - if music is a language, a special kind of communication, often expressing the affects, emotions of its creator, how much can we talk about its accessibility to rational analysis procedures? Whether the Logos is embodied in music as the realization of the rational, or is it realized exclusively myth as the personification of the irrational?