Mongolosphere in the musical-choreoraphic representation of the state song and dance theatre "Baikal"

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The article refers to the innovated approach applied by the state song and dance theater "Baikal" to the performances appealing to the genetic memory of the people. Colorful theatrical shows of recent years "Echo of Bargujin-Tokum", "Myths and Legends of Lake Baikal" and "From Mongols to Moguls" have been conceived and staged as large-scale epic dance, vocal, instrumental plays performed in solo and in group where choreography serves as an expression of an effective beginning and singing conveys the state of mind of the characters. Spectators are immersed in the creative laboratory of the theatre’s artistic direction, striving to revive the past of the people through images of musical and choreographic art in a magnificent stage design.

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Genetic memory, mythopoetic creative work, folklore opera, choreodrama, acoustic environment, pantomime

Короткий адрес: https://sciup.org/170179558

IDR: 170179558   |   DOI: 10.31443/2541-8874-2018-1-5-92-95

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