Folk art as a topic of aesthetic theory

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This article discusses the relation of aesthetic theory, and how in this paradigm finds himself folk art. Naturally, in those a context foreground the problem of determining nationality as a special category. A folk art is seen as a system of interrelated elements and a variety of relationships with the external environment, but originating in this way, as a special form of art, which is retaining the transformation function and changing reality. The author shows the need for a folk art as a specific understanding of ethnic and national identity, forming a cultural foundation and the paradigm in which there are other forms of culture.

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Art, aesthetics, aesthetic theory, nationality, folklore, folk art, epistemology, ontology

Короткий адрес: https://sciup.org/144160689

IDR: 144160689

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