About the dynamics of a form: musicality of literary text

The article is concerned with the forms of a literary text as a concept of dynamic and musical structure. The regard of literature work composition as analogue of musical forms is analyzed. The aim of the work is to emphasize the process and dynamic aspect of a form. The article deals with ontological, psychoanalytical, energetic basis of dynamism of the form which is regarded in the light of music analyzed in the works of psychoanalysts, culture experts, musicologists and other scientists such as C.G.Jung, Cl.Levi Strauss, E.Kurth, V.Karbusicky, H.Erpf, V.Bobrovsky, etc. Comparative, abstracting methods and method of functional analysis are used. With the regard to the material analyzed the following conclusions can be made: 1) The dynamism of literature form as its musicality is based on common for all temporal arts effect of psycho-energetic processes which are postulated by various psychoanalysts, mythologists, culture experts and philosophers. 2) The conception of music form as a process is close to the conception of inner form in the literary text so that for the analysis of a literary work dynamics some musical composition principles can be applied. 3) For the analysis of musical structure of literary work form the conceptions of some musicologists, e.g. V.Karbusicky, V.Bobrovsky, H.Erpf, are useful. These allow more precise description of not only ontological basis of the form but also main dynamic structures and profiles.