Domestic cinema of the second half of the 1940s and the specificity of artistic reflection of social reality in it

In the article, the authors consider the issue of reflecting the model of social reality in Russian cinema of the second half of the 1940s. The methodology of the study is based on the theory of speech acts by J. Searle, who identifies phenomena that play an important role in the system of social reality: the state and power, family and the connection of generations, religion and faith, individuality and personal interactions. Using the example of films showing the peaceful post-war life of the Soviet people, the forms of representation of the state-ideological doctrine, featu res in the approach to kinship and family relations, to significant qualities of personality and personal interactions of the Soviet model are studied.