Poetics of Russian «new drama» space of the early Xx century: Chekhov, Gorky, Andreyev

This article considers the problems of correlation of stage and drama space, their temporalization, origin of «Home» and «Road» drama chronotops and change of action conception connected with the appearance of a new type of a hero-personality. That is the result of solving the problems of transitional «hasty, hysterical» (Strindberg) time when a hero is «on the boundary of epochs, at the point of transition from one to another» and «this transition is exercised in and through him» (Bakhtin).