«Revolving stage» in Max Reinhardt’s theatre (based on performances «Midsummer night's dream» by W. Shakespeare, «Spring awakening» by F. Wedekind, «Faust» by I. W. von Goethe «Pantesileya» by H. von Kleist)
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This article discusses the evolution of «rotary stage» model in the work of German theatre director Max Reinhardt.
"revolving stage", max reinhardt, "midsummer night''s dream", frank wedekind, "spring awakening", "faust", iohann wolfgang von goethe, heinrich von kleist, william shakespeare, "pantesileya"
Короткий адрес: https://sciup.org/148101378
IDR: 148101378
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