The part of Gospel in the artistic works of F. M. Dostoevsky

The research literature on Dostoevsky is represented by two main streams: "ascertaining" and "deciphering". The author himself comes to the conclusion about the inevitable incompleteness of both directions, outlining the initial principle of the writer's worldview, which was the basis of his creativity, as the unfolding of human existence in front of the "illumined face of the God-man" - the image formed as a result of Dostoevsky's profound experience of the Gospel texts.