Scenic excitement of a musician in the context of modern personality theories

The article is devoted to the problem of the activity of the individual as a subject of activity in a situation signifi cant for her. The model of interaction between the subject and the situation is correlated with the activities of the musician. The pattern of the occurrence of stage excitement is due to the subjective image of the concert situation. In this regard, the dependence of the choice of coping strategies with scenic excitement on the individual psychological characteristics of the person is analyzed. The article provides recommendations for changing individual models of stage behavior of a musician, tested in the conditions of distance learning during the COVID-19 pandemic